folk_music

The greatest thing about doing this movie was that Chris and I both were involved in folk music in the '60s. I had a group, but I don't think it was at the same level as Chris, because he's an amazing musician.

I didn't know folk music growing up, no. It's something I've come to study, really, because I think there's so much to learn from traditional music in the sense of the way music began as a way of communication, the traveling storyteller, the bard, the minstrels.

That folk music led to learning to play, and making things up led to what turns out to be the most lucrative part of the music business - writing, because you get paid every time that song gets played.

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I became interested in folk music because I had to make it somehow.

Folk music is a bunch of fat people.

I'm obsessed with the countryside: woods, forests, fields, lakes, mountains. I'm really into folk music and folklore. But more so I'm into electronic music. I'm into bands that have both aspects, like Boards of Canada is a perfect example. You could listen to that type of music running through a woods. It's kind of what I wanted to achieve.

I came through folk music simply because it was easy to get into it.