I think, if you put a camera in anyone's life and document it daily from the age of 21 to 27, there are going to be things that aren't always pretty.

I don't like to work with assistants. I'm already one too many the camera alone would be enough.

And then we watched an amazing number of movies from the late '60s and '70s, which is my favorite time, and we studied their camera movements, their stocks, the way they lit stuff, the colors they used.

I grew up in the business since I was three years old so I've always kind of been in front of the camera and grew up in commercials and I knew that I wanted to do it no matter what, I just loved it.

I get that same queasy, nervous, thrilling feeling every time I go to work. That's never worn off since I was 12 years-old with my dad's 8-millimeter movie camera.

I design my shots. I walk the rehearsal as the camera and say 'this is where I want to be... I want this look.

I can only speak from my own personal experience, being behind the camera and in front of it, but every magazine cover you see is completely airbrushed.

I'm working on bringing the instant film camera back as part of the future.

camera, xcamera, dcamera, fcamera, vcamera, camera, xamera, damera, famera, vamera, amera, cxamera, cdamera, cfamera, cvamera, c amera, cqamera, cwamera, csamera, czamera, cqmera, cwmera, csmera, czmera, caqmera, cawmera, casmera, cazmera, canmera, cajmera, cakmera, ca,mera, ca mera, canera, cajera, cakera, ca,era, ca era, camnera, camjera, camkera, cam,era, cam era, camwera, cam3era, cam4era, camrera, camsera, camdera, camwra, cam3ra, cam4ra, camrra, camsra, camdra, camewra, came3ra, came4ra, camerra, camesra, camedra, cameera, came4ra, came5ra, cametra, camefra, cameea, came4a, came5a, cameta, camefa, camerea, camer4a, camer5a, camerta, camerfa, camerqa, camerwa, camersa, camerza, camerq, camerw, camers, camerz, cameraq, cameraw, cameras, cameraz.

A film is never really good unless the camera is an eye in the head of a poet.

I was on the yearbook staff, so I would take out film cameras and Nikons and take photos around school and at sporting events and things like that. We had a darkroom as well. I just loved it. I also saved up for a video camera to video my friends and cut and paste the videos together and I gave them to all of my friends for graduation.

I spent a lot of years just learning my craft and falling down in front of the camera.

I'd go down to the end of my street, to a garage that had a certain feeling about it, or a particular light I'd take a picture of a friend who needed a head shot. That's how I learned, instead of having school assignments and learning camera techniques.

I love the work, I love being in front of the camera and working with actors and directors and creating something. For me, it's like learning everyday.

I'm definitely a Polaroid camera girl. For me, what I'm really excited about is bringing back the artistry and the nature of Polaroid.

I like figuring out where I need to be mentally so that I'm not thinking about the camera and that it's second nature. I want to get to a place where I can exist within the confines of what you can do with filmmaking and not have to think about it.

Comic timing... is how to have a relationship with the camera and deal with the camera without looking like you are.

A lot of people would be embarrassed to admit that they were on 'Barney', but I embrace the fact. I just had such a wonderful time doing that show. I learned what a camera and prop is, and all that. I learned my manners too, so I guess that's a good thing!